Global Sonic Culture
(How to write an academic essay quoted from Milo)&Cultural Sound work
Title
Keywords
Abstract
Introduction
history/geography/set limits
Description
Interview
Case study
Conclusion
Bibliography
Snake-beings,E.(2021),DIY electronics,coin-operqated relic Boxes and techo-Ainiist Shrines. Leonardo(2021)54(5):500-505
(Ibid）same
Cite them right
[body listening and practicing
Use our body for expressing and receiving infos
Information overload and noise
How we an create practices deal with those :
Learning the physiology
Brain and listening and movements
New practices encouraging awareness with the space around you
(Dopamine)]
Abstract: This essay provides an account of how Crested ibis was been analysed in a critical way by looking its space and body movements. The paper begins with looking at the definition of performance, cultural difference of dance performance and then went through the interview and the Laban definition and case study.
Perception of biological motion in itself can offer a great deal of information about human action, intention, identity, emotion and expression (Blake & Shiffrar, 2007). Indeed, certain art forms such as dance, mime and acting, rely on the abilities and acquired skills of performers to make use of their movements to convey expressions, intentions and emotions (Laban, 1980). The perceptual relevance of these ancillary movements in musical performance has led some theorists to consider the role of body motion in music as a fundamental component of communicative musical performance (Godoy & Leman, 2009).
Laban’s dream was to create a “universally applicable” notation that could capture the frenzy and nuance of modern dance, and he developed a system of 1,421 abstract symbols to record the dancer’s every movement in space, as well as the energy level and timing with which they were made. He hoped that his code would elevate dance to its rightful place in the hierarchy of arts, “alongside literature and music,” and that one day everyone would be able to read it fluently.
Case study-Julia Kristeva “Women’s Time”
In contrast to Deleuze’s theory that language was invented between two differing tribes or cultures who didn’t understand one another but who still needed to communicate to each other,15 and of Rousseau’s statement that humans do not develop language within the family unit,16 Julia Kristeva writes in her essay “Women’s Time,” that language firsts develops between a newborn child and it’s mother (the author would add along the same line that literature develops from within the tribe in the form of familial storytelling):
Subsequent studies on the acquisition of the symbolic function of children show that the permanence and quality of maternal love condition the appearance of the first spatial references which induce the child’s laugh and then induce the entire range of symbolic manifestations which lead eventually to sign and syntax.
Julian Treasure: The 4 ways sound affects us Playing sound effects both pleasant and awful, Julian Treasure shows how sound affects us in four significant ways.
Experience on myself{Training to be a contemporary dancer}: https://www.instagram.com/tv/CdV6Y21obiu/?igshid=YmMyMTA2M2Y=
Sound Work：A Cultural Theory of Sound Design
Everyday life, these two supposedly tiny if not unimpressive words, imply a myriad of individual and idiosyncratic experiences in every single moment of every single hour on every single given day. An incoming message is being notified to me with a clicking signal sound by a social network I am logged into right now.
Everyday life as such is unimaginable and hence it carries an unimaginable load of discourses, of academic discussions, of disagreement, and evermore diversifying approaches concerning the experience of the everyday (Pink 2012).
I was thinking my everyday sound life was like me walking on the road with my phone shouting besides me. And I never cared about how strangers looked like me and thought of myself ridiculous.
Sound design in the early twenty-first century is constituting and promoting a silencing dispositive of controlling sound and of functional listening that serves the pervasive surveillance processes of admission, presence, and documentation: this is the first major result from our fieldwork at sound design projects of differing scales and of varying applications as well as our critical analysis of the history, the design approaches, and the listening practices of sound design.
(1) Admission: you, the consumer citizen, are required to plea for a confirmation of admission to a certain spatial area (on/offline) of commerce and consumption; you await, hence, the sonic signal of admission, an informative signal as well as a signal with heightened symbolic meaning (Karbusický 1986), crafted by a corporate design project.
(2) Presence: you, the consumer citizen, are required to be physically present in certain spatial areas (on/offline) of the administration of commerce and consumption in order to retain your status of being a consumer citizen with all its rights and duties; and again, you expect a sonic signal confirming your presence, surely a contact signal, but again probably a signal with heightened symbolic meaning (Karbusický 1986), crafted as well by the aforementioned corporate design project.
(3) Documentation: you, the consumer citizen, are required to deliver documentation, certain proofs or artifacts resulting from your activities to a previously assigned dispositive (on/offline) in a precisely prescribed and in each detail specified format; again you will hear either a sonic signal confirming or rejecting your documentation, an informative signal and also a signal with heightened symbolic meaning (Karbusický 1986), conceived and implemented by the same corporate design project.
What I’m trying to pick out with this term is, firstly, a thoroughly heterogeneous ensemble consisting of discourses, institutions, architectural forms, regulatory decisions, laws, administrative measures, scientific statements, philosophical, moral and philanthropic propositions—in short, the said as much as the unsaid. (Foucault 1980: 194)
Key words:
1.Anthropology: the study of what makes us human. Anthropologists take a broad approach to understanding the many different aspects of the human experience, which we call holism. They consider the past, through archaeology, to see how human groups lived hundreds or thousands of years ago and what was important to them.
2.Dialectic: philosophy : logic sense 1a(1) 2 philosophy. a : discussion and reasoning by dialogue as a method of intellectual investigation specifically : the Socratic techniques of exposing false beliefs and eliciting truth. b : the Platonic (see platonic sense 1) investigation of the eternal ideas.
3.Zoology: is the branch of biology that studies the animal kingdom, including the structure, embryology, evolution, classification, habits, and distribution of all animals, both living and extinct, and how they interact with their ecosystems.
4.Heterotopia is a concept elaborated by philosopher Michel Foucault to describe certain cultural, institutional and discursive spaces that are somehow ‘other’: disturbing, intense, incompatible, contradictory or transforming. Heterotopias are worlds within worlds, mirroring and yet upsetting what is outside.
5.ahistorical: lacking historical perspective or context.”ahistorical nostalgia that misunderstands cultural history”
6.semiotic: the study of signs and symbols and their use or interpretation.
7.hegemony: leadership or dominance, especially by one state or social group over others.